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cultural change enjoys a protracted and venerable history in sociological principle. Going back in time, one thinks instantly of Comte’s characterization of the evolution from theological culture to metaphysical tradition to scientific culture. Or one thinks of the more dynamic features of Malinowski’s remedy of tradition or the work of Herbert Spencer on cultural evolution. Marx, Weber, and Durkheim all come to thoughts as having painted broad canvases depicting the contours of recent cultural change. Turning to more recent theorists, we confront Sorokin’s model of the cyclical dynamics of ideational and sensate cultures and Parsons’s specification of pattern variables as a method of modeling the cultural developments associated with social differentiation. Parson’s stage principle of societal evolution finds expression as a mannequin of cultural evolution in the writings of Bellah, Eisenstadt, Dobert, and Habermas. Peter Berger, Thomas Luckmann, and Hans Blumenberg have made significant statements as regards to cultural modernization. In the Marxist tradition such figures as Lukács, Althusser, and Therborn have contributed rich offerings. And we now have a host of extra focused empirical research and particular theoretical inquires by students such as Michel Foucault, Anthony Giddens, Niklas Luhmann, Neil Smelser, and Wolf Lepenies. Capitalism results in the disintegration of all types of

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