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motivations and targets unquestionably recur in popular literary genres. The most notable examples are the romance novel, adventure and survival tales, and the bulk of world folklore. Clearly, though, conflicts surrounding life-historical past motivations and goals are present to some extent in just about all literature by nature of their inevitability in life. No theories aside from those stemming from evolutionary concept can presently explain such regularities in content material across literary traditions. As such, there isn’t a question, in my mind, that evolutionary principle deserves literary students’ larger consideration if only for the bigger picture it could possibly present of how regularities within the human life cycle reflect primary, recurrent concerns in literature. This leads to two further issues. First, although in his goal paper Carroll has positioned a great deal of emphasis on contributing fields, arguing for the advantages of “scientific method,” corresponding to “a rigorous empirical analysis of cognitive mechanisms,” the importation of theories and approaches from outdoors the sphere of literature itself brings the danger that the distinctively literary qualities of literature shall be misrepresented or missed – a hazard that “Humanistic sensitivity to the nice shades of tone and style” will doubtless not be effective sufficient to avert. As with dehabituation, with theoretical roots going back to Coleridge, literary theories that

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